It’s a given that Seth Randal’s glass sculptures are museum quality. The question is, in which room would you find his work? Modern Art? History? Archaeology? His style fits in just about anywhere. For the last quarter century, Randal has combined his passion for history with his artistic impulse to create works that hearken back to ancient and classical times, yet remain firmly rooted in the modern world. The result is a body of work that speaks to the Art Nouveau movement, Greco-Roman traditions and ancient myths alike. But this isn’t the work of a mere imitator. With a nod to Ms. Clinton, you could say that in listening to history he has found his own voice. You’ll soon be able to find his voice on the 10th floor of our hotel.

-Dale

It finally opened. I’d heard rumors that Seattle-based Matador Restaurant and Tequila Bar would be coming to our fair city nearly two years ago. Its exceptional Tex-Mex menu kept me happily driving north to its original location; but with over 75 choices in its famous Tequila Bar, the drive home was what had me a bit daunted. Now that Matador is at 721 Pacific Avenue I (and my gas tank!) are a lot happier. And if you call “Andale!” to the bartender too many times, you’re just steps away from the free Tacoma Link.

- James

While talking about Tacoma’s Best Bars in America listings, I worked up a mighty thirst. So I ambled on down to one of my favorite watering holes, Paddy Coynes. Hard to believe the place is already a year old. I think I might head back down there after work and raise a pint to honor their birthday. At least, that’ll be my excuse.

James

At first glance, Richard Whiteley’s kiln-formed glass sculptures may not reveal much. These minimalist pieces are beguilingly simple. They deal in one, maybe two colors at most. But hang out with them for a while. These asymmetric, abstract shapes take on a life of their own. For me, to “observe” a Whiteley sculpture entails participating with it as it slowly reveals more about its character.

Says the artist himself, “The sculptures work on both the micro and macro levels. They work in relationship to themselves, as the interior is a world in itself. However, the form in space is also important, the way it changes and plays with light and the way it distorts objects seen through the space. The clear translucent, colored glass acts as a lens through which viewers see spaces rearranged. The silky surfaces are luminous, simultaneously transmitting and reflecting light.” Come hang out with his work on the 11th floor.

Dale